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Application and Colouring for the Witch Character
Neill Gorton
Application and Colouring for the Witch CharacterThe conclusion of the witch character project is the final application and colouring of this multi-piece appliance makeup. We go through the steps of applying the pieces and adhering them to the face, blending and colouring the silicone pieces, and look at two different ways to finish the character making her camera-ready.
Casting in Plaster from a Full Alignate Head Cast
Neill Gorton
Casting in Plaster from a Full Alignate Head CastCasting plaster into our full head alginate cast and looking at the results of our techniques of casting the nose separately and building a thickness behind the ears.
Casting Out from a Silicone Life Cast in PU Resin and Foam
Neill Gorton
Casting Out from a Silicone Life Cast in PU Resin and Foam Casting a head in fast cast PU resin and rigid foam from a silicone full head cast.
Direct Applied Age Reversal Makeup
Neill Gorton
Direct Applied Age Reversal MakeupCreating age with makeup can work both ways and when trying to create an ageing effect it’s useful to make your subject appear younger to begin with in order to accentuate the effects of any ageing make up.
Direct Applied Old Age Makeup – Part One
Neill Gorton
Direct Applied Old Age Makeup - Part OneThere are many ways to tackle old age makeup. In this lesson, we look at creating ageing effects using only direct applied makeup FX techniques and changes to hair and hair colour.
Direct Applied Old Age Makeup – Part Two
Neill Gorton
Direct Applied Old Age Makeup - Part TwoThere are many ways to tackle old age makeup. In this lesson, we look at creating ageing effects using only direct applied makeup FX techniques and changes to hair and hair colour.
Face Cast with a Plaster Bandage Frame
Neill Gorton
Face Cast with a Plaster Bandage FrameThis ‘ears under cap’ face cast is designed for circumstances where it may be necessary to remove the cast with greater care. It may be that your subject will have to be cast with facial hair or you're casting around facial piercings. This might require that the alginate is not bonded into the rigid plaster bandage shell so that it can be removed first and then the alginate removed on its own allowing it to flex more and be removed with greater care. The plaster bandage frame creates an outer edge that will help re-locate and retain the alginate in the plaster bandage shell.
